I can’t listen to Delibes’ Coppelia without my mind leaping back to my five-year old self, dancing around the living room to an Ernest Ansermet Decca recording. The next LP on the shelf was The Rite of Spring – the only other classical record in the house as it happened. Once I’d pirouetted and pranced through to the end of the Coppelia Suite, I’d stomp my way through The Rite. The two works have remained inseparable to me ever since, musically linked by an accident of proximity.
How many examples of unintentional curation are there? How many compilations piled onto TDK audio cassettes in the 1980s cemented unique and unlikely connections between musical works of different styles and periods? These deeply personal soundscapes form the backdrop to our lives. We flick from radio channel to radio channel, from TV station to TV station creating extraordinary and accidental juxtapositions. We are shaped by – and give shape to – our sonic environment which affects our lives and the way that we listen to and perceive music. Mass manufacture and multiplicity of music have made us all curators of sorts.
Read the whole article on the Corymbus website here